Media Release March 2026
Outer Spaces reveal programme for Glasgow International 2026, including a solo exhibition from artist Irineu Destourelles
Outer Spaces will support six artists from our network this June during GI, presenting a solo exhibition from Glasgow based artist Irineu Destourelles, Faint Light of the World with Contradictions, co-curated with Natalia Palombo; a special event Disrupting Spaces, Sharing Practice with Gianni Esporas, Olivia Priya Foster, and Amy Lawrence and production support for artists Luke Fowler and Lisette May Monroe.
.jpg?etag=%22323362-69b2f0c7%22&sourceContentType=image%2Fjpeg&ignoreAspectRatio&resize=618%2B348&quality=85)
Irineu Destourelles, Process Images with Thoughts for Faint Light of the World with Contradictions, 2026. Image courtesy of the artist
As part of Glasgow International from 5 - 21 June 2026, Outer Spaces will present Faint Light of the World with Contradictions, a solo exhibition from artist Irineu Destourelles co-curated with Natalia Palombo at the Glasgow Room, The Mitchell Library, North Street, Glasgow, G3 7DN.
The exhibition will explore how ambivalent historical narratives tied to one’s culture and language can co-exist within a single body and identity. Drawing on the artist’s experience as a multilingual, diasporic Creole individual, the work asks: how can one live with, and speak from, the tension between complicity and resistance? The artists' new work will translate this tension into an immersive sculptural installation using sound, light, and spatial transformation.
The installation combines a multi-channel sound composition with evolving monochromatic projections across four walls. Film stock sound effects intertwine with fragments of colonialist and anti-colonialist films from African and Western traditions, exploring how ideology is carried not only through narrative but shared cinematic language.
Rather than offering resolution, the work sustains contradiction—inviting audiences to inhabit a space of uneasy familiarity where complicity and resistance coexist. Through sound and light, the installation probes contemporary identity as a layered and unresolved historical condition, continuing to resonate into the present.
“When working in a studio context, having the space to work consistently is always significant and allows me to push myself and my practice into uncomfortable, unknown territory. With generous production support and studio space from Outer Spaces towards my upcoming commission as part of Glasgow International, I am able to truly focus on creating this new work, working sculpturally with sound and light for the first time.” - Irineu Destourelles
Earlier this year Outer Spaces worked with the Glasgow based artist and Many Studios, to provide production support for a commission as part of the redevelopment of the former Cumberland Street Station. Thirty-two Texts with Distress presents two new interlinked video works by Irineu Destourelles. Currently on display at the Gorbals Library, the works revisit personal memory - of being in public spaces in Glasgow and elsewhere - alongside reflections on how public spaces are represented in media. Together, these works invite audiences to reflect on what makes public spaces feel welcoming, fragile, or imperfect.
Find out more about the project

Irineu Destourelles, Thirty Two Texts and Distress, 2026. Install view at Gorbals Library
Photo: Erika Stevenson
In addition to the presentation of new work by Destourelles, Outer Spaces will support five other artists from our network to engage with the festival.
Disrupting Space: Sharing Practice brings together three artists within the Outer Spaces’ Glasgow studio network - Gianni Esporas, Olivia Priya Foster, and Amy Louise Lawrence - whose work collectively spans sculpture, installation, film, writing, performance, and choreography. Responding to Martinican writer Édouard Glissant’s concept of “trembling thinking” and its embrace of fluid, relational, and non-fixed perspectives, the event considers the buildings occupied by Outer Spaces in a “meanwhile” capacity, especially the Merchant City. Many of these buildings are usually inaccessible to the public and are now home to artists creating new work and projects. Esporas, Foster and Lawrence will share their practices, processes, and projects that are underway in these locations, reflecting on their relationships to space, identity, and history.

Olivia Priya Foster. Photo: Gemma Dagger
“Outer Spaces breadth of support for artists during Glasgow International spans a significant solo presentation, vital production support for Glasgow-based artists and an opportunity for artists from our networks to interrogate relationships to the meanwhile spaces that they inhabit for their arts practice. Glasgow International is a key moment in the arts calendar for Outer Spaces to highlight the innovation that occurs when artists are encouraged to take risks in their practice and offered working space without financial barriers alongside individualised support packages.” - Tiffany Boyle, Head of Programme, Outer Spaces
Additionally, during Glasgow International 2026 Outer Spaces are supporting two projects through our production support strand: Lisette May Monroe’s solo exhibition Hard Lines and Luke Fowler’s new film A Sensation Never Yet Known presented at Glasgow Library of Synthesised Sound (GLOSS).
Hard Lines is an autobiographical installation that uses sentimentality, nostalgia and revenge to navigate the aftermath of an abandoned relationship, while questioning what it means to inhabit a body stigmatised by the overhanging spectres of class, disability and menopause. Where do long, sleepless nights lie within the mire of the late thirties? Where do heartache and longing reside amid the frenzy of shame? When the body begins to give up the ghost, as it has threatened to do since birth - particularly now in its most dire of hours, how does this haunting not become consuming? In her autobiography, Hilary Mantel writes, “I began this writing in an attempt to seize copyright in myself.” 'Hard Lines' is an exercise in doing the same, drawing an edge around experience and representing it as fact.
___serialized4.jpg?etag=%222062fc-69b00f20%22&sourceContentType=image%2Fjpeg&ignoreAspectRatio&resize=620%2B708&extract=0%2B0%2B620%2B652&quality=85)
Lisette May Monroe, 'Neighbours', Collage (detail), 2022. Courtesy of the artist
A Sensation Never Yet Known is a new film work by Luke Fowler exploring the ongoing history of electronic music in Scotland. Fowler’s film combines footage of recent workshops led by Glasgow Library of Synthesised Sound (GLOSS) with explorations of the practice of UK composer Janet Beat, an electronic and electro-acoustic music pioneer.
In material sourced from an interview with Fowler, Janet Beat vividly recalls her earliest memories of sound and her experiences of being doubly marginalised as a woman musician in a then-male-dominated field and a composer of electronic music at a time when it was viewed with suspicion by the musical establishment, including the Musicians’ Union. Extending Fowler’s long-standing interest in how cultural and political figures of the 1960s and 1970s are remembered, A Sensation Never Yet Known also reflects his own practice as a musician and an artist-filmmaker. Curated by Dominic Paterson, the film will be presented during GI at GLOSS.

Luke Fowler, A Sensation Never Yet Known, 2026, film still
Outer Spaces’ first year of programming across 2026 will support artists to develop their practice in new directions, offering opportunities to take risks and engage in experimentation to challenge and expand their practice. Commissioning is at the core of these presentations – supporting the creation of ambitious work and its public presentation, primarily in Scotland but collaborating on select key international projects. Working in a roving manner, the programme will continue to reflect the nationwide network of Outer Spaces studios.
Outer Spaces’ provides personalised support for artists building on the organisation’s work since 2021, when they began repurposing vacant commercial buildings into space for artists, to be accessed without financial barriers. Through testing new ways of working with artists and curators they have produced sites of experimentation, making, presentation and community in over 120 properties across 13 local authorities to date.
Registered Scottish Charity No: SC051153
Registered Address: Artists’ Spaces SCIO
15 Calton Road, Edinburgh, EH8 8DL
Copyright © 2025 Outer Spaces
WAITING LIST + NEWSLETTER